France coach Didier Deschamps insisted any changes he makes for his side’s Euro 2020 qualifier in Andorra were planned before their shock defeat to Turkey.
Les Bleus were knocked off top spot in Group H on Saturday by Turkey, whose 2-0 win at the Torku Arena in Konya was their third straight qualifying win.
Deschamps is expected to make up to five changes against minnows Andorra in a bid to freshen up his side.
“I had planned (for them), because it seems to me logical to bring freshness, physiologically and physically too,” Deschamps told a press conference reported by L’Equipe.
“I will make several changes, regardless of the performance of Saturday’s players.”
Paris St Germain forward Kylian Mbappe came in for criticism after France’s defeat in Turkey, but Deschamps said all his players had under-performed.
“Apart from Hugo Lloris who was at his level, all the others were behind,” he said.
“You take more Kylian as a target, I see it from a collective point of view.
“He has been below (par). He did not receive the ball in the best conditions and his risk-taking was not rewarded as usual, but I will not have any special treatment for Kylian. I talk to him like all the other players.”
The atmosphere at Andorra’s national stadium, which has a capacity of just over 3,000, will be a far cry from the hostile reception Les Bleus received in Turkey.
Deschamps said his players had been made aware of the expected contrast.
“We go from one extreme to the other and our key word is to adapt,” he added.
“It will depend on us. We will not make that as an excuse. It’s up to us to do the job and take the three points.
“They are as important as those at stake in Turkey. We have the opportunity to take them. Do not miss it.”
Provided by Press Association Sport
Valencia winger Guedes proved the match winner as his shot had too much power for Jasper Cillessen in the Netherlands goal.
Here are the talking points from Porto.
Portugal The European Tournament Team
Portugal in the 21st century are quite the European tournament team.
They are the current European kings and added the Nations League jewel to their crown having been third twice and runners-up once in five editions of the Euros since 2000.
While their players might be pretty, their football isn’t, but it is certainly effective.
Guedes was this tournament’s Eder, scoring the sole final goal in a similar sort of fashion to his compatriot, with a powerful shot which really should have been stopped.
But while this current side possesses much more quality than the Euro 2016 winners, their style hasn’t evolved much.
They remain a peek-a-boo team, happy to sit in and contain pressure before exploding on the counter.
Whenever the Dutch backed off to give them time on the ball, they lacked ideas, but out of possession and then on the break, the Portuguese were so dangerous.
Fernando Santos is constantly chastised in Portugal, and rightly so because with this talented crop they could be so much more.
But then Portugal have won the last two major European trophies, and as France proved at the World Cup, it’s substance over style when it comes to winning titles in the international arena.
Tired minds, tired bodies. It’s easy to offer up the obvious excuse of 120 minutes against England having played a day later than Portugal, too, but it’s legitimate and its consequence was there to see on Sunday.
The Dutch are hallmarked by speed, both of thought and feet, but an energy-siphoning season for their star players and the exhausting semi-final encounter meant the electric flow was switched off.
To Portugal’s credit, they were set up to frustrate with their signature block-and-counter style. Yet the fact the Dutch failed to register a single shot until the 65th minute is evidence of their fatigue.
Creation from midfield was lacking, there was no incision from the forward line – Ryan Babel and Memphis Depay were both woeful – and the only route into the Portugal half was for a long time from the long diagonal passes of Virgil van Dijk.
There was barely any movement off the ball and when on it, the passing was prosaic. But it is a lifeless performance in isolation, a team grayed out, one matching their changed strip and feeling blue as opposed to their usual Oranje zest. It makes sense to attribute that to the work load.
BB GUN Attack
There’s an enticing proclivity to focus on the youthful exuberance of the flying Dutch, yet Portugal have their own thrilling offspring who must not be ignored.
Indeed, Bruno Fernandes (22) and Bernardo Silva (24) have shown throughout this tournament that they will be a special pair for Portugal in the coming years.
On Sunday, the twin buzzing red bees searched for weak points in the Dutch defence and were a constant hive of activity in the final third.
It’s easy to see why Pep Guardiola is reportedly keen to add Sporting midfielder Fernandes to Manchester City.
He and Silva were incredibly difficult to play against, blending their positions on the right side or moving across the pitch to pick up the ball and create space.
In the first half alone, Fernandes had five shots at goal and while no goal was profited, the conviction in each strike was impressive.
There was clever innovation elsewhere as well, a sharp chop back followed by a delicious outside-of-the-boot pass to a galloping Nelson Semedo created an opening, and the same connection a danger when Fernandes intelligently turned the ball around the corner when facing his goal.
Silva was all action, too, fast to press and slippery in the box, it was his cut back to Guedes which opened the scoring.
They made the Dutch look slow, and that’s a huge testament to their quality.
The director of the new Diego Maradona documentary admits he was driven to discover why the Argentinian is still “creating chaos” in his late 50s.
Asif Kapadia views the Maradona project almost as the final instalment of a “trilogy” on flawed genius – with Formula One driver Ayrton Senna and singer Amy Winehouse the subjects of parts one and two.
The difference with Maradona, as Kapadia saw it, was the chance to explore what becomes of such a uniquely talented individual when their life is not cut short.
“It became an idea of, what happens if you get old and you’ve got this amazing gift?” he told the Press Association.
“Also, I suppose there was a question of, why is he doing the things that he’s doing? Why is he still creating chaos?
“I really enjoyed watching Amy and Senna on a big screen with an audience, quite collective emotions and experiences.
“I thought, ‘I’d love to see this in Argentina with a crowd, or Naples with a crowd, or even in England’. So partly it was that, in doing it as a movie about another big name who gets old, who we try to understand, because he’s not necessarily very loveable and likeable when you think about him.
“And I didn’t know what the story was going to be, I didn’t know whether or not I’d like him, even. It’s actually happened along the way.”
The documentary, which is released on June 14, focuses primarily on Maradona’s time at Napoli, where he led the hitherto down-at-heel Italian club to two national league titles in 1987 and 1990.
It was a time when the 1986 World Cup winner’s cocaine addiction escalated, and when he began to associate with members of the region’s notorious organised crime underworld.
Few players have polarised opinion like Maradona, who is a hero or a cheat depending on who you ask, but Kapadia says for him and his generation there is no-one who comes close, however unlikely a sporting superstar he may be to look at.
“He won the World Cup and everyone says it’s the greatest single player’s achievement in one tournament, no-one has ever done anything ever since like that,” Kapadia added.
“It’s a team game, it’s not really meant to be about individuals. But he made the team better.
“And then he goes to this team in Italy that’s never won anything, ever, never won anything since, and won, in the toughest league in the world, there’s probably never been a league as difficult as that ever, before or since, and he won, twice.
“So then when you weigh that up and you look at the type of football and the way he was treated and his body shape, I mean he doesn’t even really look an athlete. I look at him and go, how can he be?
“He just doesn’t look like someone who should be able to run or do anything. But he was amazing.”
Maradona was one of the first players who made enough money from the game and his various endorsements to never need to work again, with top stars now earning around £500,000 a week.
Kapadia insists the fragile nature of a footballer’s career means they have every right to earn as much money from their ‘art’ as they can, while they can.
He added: “I have no problem with them earning as much as they can, I think they deserve it. They’re the artists at the heart of it, (and) their career could end tomorrow.”